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Nov. 15th, 2009

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Cotto: Herald of a Harder Road

It happened in the eighth round: the rapid fireworks of cheers in our darkened venue diminished into a fog of observant hush. The audience hadn’t counted on the opponent to last this long. Everyone had been expecting a spectacular knockout –but it didn’t come. Battered and dizzy, Miguel Cotto hopped in an uneasy dance of evasion, Manny Pacquiao stalking but wary of counters. When the fighters returned to their corners, the camera zoomed in on Cotto, his scornful visage now a bloodied and worried mask. Beholding his face’s pummeled state, the crowd behind me roared. They were certain he wouldn’t last the seventh round. But through body-hugging, aggressive close quarter jabs and more evasive side-stepping, he did. The memory of Ricky Hatton’s falling to the floor in the second round had swept people in a daze of knockout euphoria – but the people were denied another knockout. And by the tenth round, the crowd starting booing – a shocking turnaround from the festive opening of what many have one-sidedly dubbed “The Manny Show.”

“Firepower”, Manny admitted, would be the toughest fight of his life. And true – in the first two rounds Cotto gave Manny trouble, sending him into the ropes and landing solid blows to his head. In Round Two many Filipinos who were sure of Pacman delivering Cotto to instant oblivion started having second thoughts: the Puerto Rican was good. Manny tightened his defense, drawing in Cotto but still fell prey to several combinations. But when Manny blazed the blows that had sent old foes reeling, he was met with tight defense and resounding counter-punches. Cotto landed good hits through the Pacman’s defense, notably several uppercuts and jabs to the chin. It was Manny’s astounding hitting power that gave him the edge in Round Three, dizzying Cotto and causing him to lose form. The Puerto Rican was shaken: in Round Three Cotto’s confident stance drooped to a sloppy swagger.

Throughout the match furious blows from Manny sent Cotto to the ropes again and again. The display of firepower met with hurrahs erupting in cadence from the millions watching. When Cotto finally stumbled, jubilation exploded as the referee gave him time to get up. Yet through vexing body hugs and ring control, he reeled Manny in as if drawing him to the edges of a knife. Cotto exhibited sustained stamina, and caught his second wind numerous times in the rounds past the seventh.

“Survival Mode” was how one radio commentator remarked of Cotto’s motions past that point. True enough, he backed quickly from Manny who kept advancing like a lion circling prey. The only things that kept Cotto from falling over were the ropes and his body hugging. In one momentous scene his and Manny’s arms were draped on each other’s backs as if Cotto were a wounded soldier being pulled by his comrade off the battlefield. The audience heckled Cotto, chiding him to finally get knocked out by the National Hero. When the bell rang for the final round the agitated audience, starved for an explosive finish, erupted in a final wave of “Manny! Manny! Manny!” And Manny flew in, fists casting Cotto into the ropes like an eagle shredding flesh. When the referee saw Cotto stumble he stopped the round– and it was over. Multitudes screamed as the battle ended dead in the middle of the twelfth round.

The cheers that followed were proud, but surprisingly cautious. Cotto was an amazing –and gracious opponent. At the start of their final round Manny and Cotto struck each other’s gloves, saluting each other in terrific sportsmanship. My heart swelled at the sight. Though Manny walked in the favored win, Cotto promised he would foil Manny’s plans for history. Instead, he made history for himself – through both prowess and chutzpah he lasted the whole twelve rounds with Manny Pacquiao, foiling Manny’s fans’ clamor for a speedy, thunderous knockout. And when the entourages of both camps poured into the ring Cotto walked over and embraced Manny, his wounded face inflated with what I believe to be gratitude. Both fighters gave each other the fight of their lives – Manny knew it would be difficult, and Cotto resolved not to make it easy for him wrest away his belt. And when they saluted each other at the start of the twelfth round, there was nothing but respect.

Manny’s history-making seventh weight division victory was his most challenging bout. Though it spoke of his astounding rise to the title of Pound for Pound King, it only further highlights the path ahead of him. People ask: “Who can face Manny now?” The only real answer is undefeated Floyd Mayweather, Jr. There are very few challenges for Manny left, and the moment he was asked in the ring whether he would face Mayweather the crowd roared in excitement.

But this match should serve everyone well for what challenges lay ahead. Watching Cotto draw in Manny and sending him to the ropes and almost to the floor made me realize Manny’s road will be harder than ever. His opponents can only get more challenging–if we’re to assume that Ricky Hatton was a fluke. Pacman’s rise to undisputed King of Boxing will be marked by harder opponents, with fiercer punches and sharper strategies. Freddie Roach and Team Pacquiao should further improve Manny’s game – as should the southpaw. A celebrated icon now of our time, Manny cannot afford to be waylaid by any distractions from the red carpet boxing history is laying out for him. Cotto was an example of how future opponents may treat the threat of Manny. He showed that though he acknowledged Manny’s feats and abilities, he wasn’t below stunning Manny with his own. By going the full twelve rounds, Cotto revealed a strong resolve not to be one of Manny’s celebrated knockout wins.

On my ride home someone remarked that Manny’s opponents now feel the beating drum of anxiety even before stepping into the ring. If only to see what his opponents look like before their fights with Manny, and after three rounds with him, I agree immensely. Manny stands now in history, a fearsome and intimidating fighter with a record as astounding as his talent. But Team Pacquaio must heed the warning of Cotto: they’d best prepare to face opponents with stronger resolve not to be swept away by the tour de force that is Manny’s road to history.

Jun. 15th, 2009

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A really cool chicken pad

I read this story online about how some Americans have started raising chickens in their backyards, despite neighbor's complaints and city legislature against it.

It went on to say how some owners built henhouses to look like children's play houses to "appease" neighbors, and how some took to hiding their backyard fowl from neighbors for years. It also provided a link to this snazzy "stealth coop" that owners could use to camouflage their chicken coop in urban settings....



Yeah, cool huh?? It's shaped like a trash can on wheels, merged with a cart. But I'm more amused by the fact that an actual website named www.mypetchicken.com actually exists. Who knew?

Personally, I don't see what's so strange about the practice. Times are hard, so I can understand how some families would rather raise their own livestock and get some free eggs in the process. I'll bet if some backyards were even bigger, they'd get a cow - but then again maybe they should move to a farm if they're going to go that far.

The only question I have is... what happens when avian flu comes back? I'd hate to have avian flu in my backyard.

But you gotta admit, that's a cool-looking trash coop.
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feels like insomnia, oh-woah-oh

I'm sitting here figuring out how to refine this company's visual identity before sending it off to my boss for approval.

Will it be awkward to claim my check for previous projects, when I've got something right now for them that hasn't been sent in a few months? O_O

* * * *

Lining up stories for the paper! Must contact people. Must schedule interviews. Must write!

Jun. 6th, 2009

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Today

Actually, yesterday, I turned 24. And I spent it in the most awesome, special, most spectacular way possible - I had fun. Simply put, I had fun with my family, and people very close to me. I could not have had it any other way.

Spent a good time ruminating about my life too. Was this another crossroads? I don't know. I regard my age as a trivial thing now. It's only a number. Maturity is not measured by digits signifying the time you have existed on Earth. It is much more than that.

I am thankful for a lot. My talent, my friends, my family, and all the opportunities given to me by the Almighty, and for all the blessings in disguise.

Umm... can I keep this short? Haha, I'm sorry, but it's past three a.m. and I need to get up early today. Lots more to do.

Anyway, here's a recap. Hope you enjoy.

Happy Birthday to me!

May. 3rd, 2009

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UNBELIEVABLE



I hereby declare that the chalk outline of Ricky Hatton on top of the ring's Rockstar Energy Drink logo become the official logo of The Battle of East and West.

Not that it was a really long fight...

My God. Two rounds.

TWO FUCKING ROUNDS!

Unbelievable! UNBELIEVABLE!!!!

Apr. 22nd, 2009

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Creepy

Here's a brief outline of a dream I had while napping yesterday afternoon.

I was talking to a demon/possessed man, who was a tall blonde Caucasian. Knowing I was in the presence of evil, I sang. Yes, I sang. I don't know why. But I knew that the lyrics had an empowering feel to them. What I sang was this:

I believe, I believe,
I believe, oh I believe,
all will be forgiven

I believe, I believe,
I believe, oh I believe,
There is love in Heaven


Yeah, it's a Spring Awakening song. Then the demon laughed and mocked me, saying not all things can be forgiven.

"We tried to be beautiful", he sneered, referring cryptically to it and its brethen's rebellion against God.

The encounter with the demon had elements of the movie "Fallen" to it. It would possess a human being, then would transfer to another human upon touching his or her hand.

What's creepy is this.

I woke up, and saw my mom watching CSI: New York. And the perp in it was Elias Koteas.

And he played the serial killer who was possessed by the demon at the beginning of "Fallen".

Apr. 13th, 2009

HA! HA!

I dared to watch DRAGONBALL: EVOLUTION



=====

April 12, 2009.

I walk up to my friends, who are bunched up outside the cinema, lining up and handing their tickets over to the ticket person.

And with deliciously dark glee, I hoot right behind them. "LET'S WATCH THIS PIECE OF SHIT!"

They turn to me, grin, nod, and slap me fives.

If there was any way any of us were going to see this thing, it was to see it as a group. We had grown up reading, watching, and playing Dragon Ball. We were the kids who'd razzle you as a quick five-button combination on the SNES pulled off a Kame-hame-ha on your pathetically controlled Dragon Ball avatar (Cell? Broli?? You guys are LAME). We'd rat off all the inane conventions of death-resurrection-death-resurrection of every series (What, Goku has three halos?!). We knew every epic Dragon Ball bad guy even from reverse chronological order ("Majin-boo before Kid-boo, moron", "Wait, I thought this was in reverse chronological order?"). And we'd be damned if we weren't catching the Hollywood adaptation, to satiate the combined behemoth of sarcasm, snark, curiosity, and sadism.

The lights dim, the snickering and giggling give way to silence, the Fox Studios opening graphics roll, and a pause falls on the theater.

I fire the first riff.

"Cha-la, hed-cha-la."

Snorted laughter. My friends to both sides snicker through covered mouths. "That's one", my friend says to me. "That's one", repeats another, emphasized with a raised finger.

We are keeping score. "Plus thirty points if you piss off a member of the audience", my other friend said earlier.

And the riffs roll in with the movie...

Goku trains with his master.

"Flash kick! Oh yeah, that was a Flash Kick alright."

Goku's bike gets totalled by a yellow Camarro driven by school bullies.

"Nice going, Bumblebee."

Chi-Chi invites Goku to her party. Awkward romantic tension.

"Alright, let's make Gohan."

Piccolo appears on screen. The girls of our group swoon.

"Spike!"

"SPIKE!"

"SPIIIIIIIIKE!!!"

Goku opens the inheritance chest of his fallen master, revealing the orange training costume.

"Grandpa was a cosplayer?!"

Bulma shows up, threatening to blow Goku's head off if he doesn't hand her his four-star Dragon Ball.

"What the hell. She's using the Batman voice!"

Bulma shows Goku her Dragon Ball Detector.

"It's an iPhone."

Bulma opens her transformer-bike.

"It's Ravage!"

Master Roshi shows up. He starts off as a wise, ominous master. Then inexplicably flips into invigorated-cackling-dirty old man mode.

"That was so fake."

Piccolo straps himself into a dentist's seat and has his blood forcefully extracted through his arms by giant, teeth-like syringes. He shrieks. "MY BLOOOOOODDD!!!!"

"For God's sakes, just take a sample."

Ernie Hudson, in a lame cameo as Master Po-Po, with super fake eyebrows and a beard, does some prayer chanting hand movements with other monks over a table.

"Mah-jong."

An audience member snaps at our riffing.

"SSSSH!"

Thirty points!

Master Roshi teaches Goku how to control his ki to do the Kame-hame-ha. He does a series of interpretative dance moves that look like he's giving his arms a sponge rinsing without a sponge, and fires into a lamp. The candle in the lamp ignites.

"And that's how you do the Hadoken."

Goku is blasted by a phazer gun. He experiences near-death, waking up in a field. The scene is awash in a blue filter.

"Oh man. Goku died and woke up in Twilight."

Before confronting Piccolo, Goku dresses up in his orange costume in a heroic montage.

"That was completely unnecessary!!!"

This is it. The crowining moment of the movie. Goku performs the Kame-hame-ha as Piccolo, in mid-air, unleashes a Genki-dama looking move.

"Kameeeee-"

"This is it guys!"

"-Hameeeeee-"

"Here we go!"

"-HAAAAA!!!!"

Goku rips the Kame-hame-ha. THEN HE FUCKING FLIES TOWARDS PICCOLO WHILE STILL IN THE KAME-HAME-HA FIRING POSITION AND SMASHES RIGHT INTO HIM.

Goku stands triumphantly over Piccolo's unmoving body, his tiny, kiddie-sized orange uniform contrasting with his super huge pajama cargo pants.

"...that was so bad."

"Awwwwwwwww :( " (fangirls reacting to James Marster's dead body).

Goku gathers the Dragon Balls to revive Master Roshi. He yells at the sky angrily.

"DRAAAAAGOOOOOON!!!!!!!!"

My friends erupt and spasm into unnncontrollable laughter.

"REVIIIIIVE MASTER ROOOOSHII!!!!"

Roshi is revived.

WAIT! There's a mid-credits sequence! Cliffhanger secret ending!

A lady prepares hot water in a cabin!

"VEGETA!"

The camera tracks her movements down a corridor as she caries a basin of boiling water. The score rises dramatically!

"FREEZA!"

"CELL!"

"Goddamn this is a long extra scene. COME ON!"

The lady sits down next to a figure on a bed, completely covered in sheets! You can't tell who it is!

The lady dabs a cloth in the hot water, and the figure turns its head...

It's frigging Piccolo.

Resume credits.

"...dammit, that was the most pointless extra scene ever."

"Haha! Two minutes long! That scene was two minutes long!"

"I bet the camera man was like, 'Hahaha, I'm gonna draw this out as long as possible, I'm gonna make that fucking audience wait so hard for this scene, hahahaha! They'll think it'll be something cool, and then it'll be the most useless extra scene they'll ever see!' This is gonna be so good!"

And the riffing goes on even beyond the cinema. We gather outside a shake stand near the mall exit and tear into the movie over and over...

"Dammit, I'm giving this five out of five stars on my Multiply blog just to piss people off."

"Geez, if I were the dragon, I'd frigging kick Goku for yelling at me like that! Such an ass! 'Shut up! Okay! Just gather the balls, and I'll show up! That's it! No yelling or hand movements!'"

"Did you hear that lady shush us??"

"Yeah, what was her problem. It wasn't like the movie was even taking itself seriously at that point anyway."

"Well... she had a kid."

"...oh. A kid."

"They were a lesbian couple, weren't they?"

"Huh?"

"Those ladies, cuddling in front of us?... they were lesbians. And they had the kid with them. I saw the lady in front of me kiss her kid."

"Well, I would've said, hey kid? Your moms? They're gay."

We go to our friend's house and watched some fan-made trailers of Dragon Ball. French fan-made trailers.

"Now THAT'S how you do Dragon Ball!"

"See? Only four minutes long but it's still better than Dragon Ball."

We open the Ryan versus Dorkman 2 clip.

"See? So far they're only walking, but still better than Dragon Ball."

And so on, and so on...

So friends. If you're going to watch Dragonball, watch it with friends. Watch it with geek friends. Open-minded geek friends. It will be one of the best bonding experiences you'll ever get!

PostScript: The Hannah Montana trailer played before the movie. My friend looks to us, with a knowing look, and says, "Okay guys. Right now. Let's make a plan for this right NOW!"

Apr. 9th, 2009

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(no subject)

Brigadier General Carlos Clet was a friend of my dad's. My dad and he were batchmates at PMA, both from Batch 80. My mom and his wife, Mrs. Clet, were good friends, and would often see each other at reunions and get-togethers. Most recently, I am sure, they both attended my parents' 25th Wedding Anniversary last January.

I also knew his kid. He was in Ateneo High, and I was in college, last I saw him.

I never always remembered the faces of my dad's friends. That's because I seldom met them, and if I did, I didn't think much of them. But - I heard the news Tuesday, and was startled. I knew him - knew the wife and kids even more, because she ran a store that my family and I would frequent after church some years ago.

I finally remembered who he was today. I saw his photo on the paper, and realized, "Oh... it's you."

I shall have a moment of silence now. If you will.









I believe I will pray for them this Holy Week.

Mar. 18th, 2009

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(no subject)

http://i14.photobucket.com/albums/a345/inthedarkofthenight/bltp.jpg


I have no idea who "I.K." is, but this is brilliant.

Taken from the side of a table in the Ateneo Information Design Lab.

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(no subject)

There's an oldish building right next to Inquirer's main office, which houses both its vast printing presses and well-kept accounting office.

The printing press contains gigantic vats of CMYK - cyan, magenta, yellow, and black ink, combinations of which produce every single text and image you see on print.

On the way to collect some tax forms, I spotted this cat at the landing of the stairs to accounting. It had no doubt had some kind of run-in with the ink vats.




I call it a "Cyanese".

Badum-tssh.

Mar. 16th, 2009

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(no subject)

This scene wrote itself in my head. I imagined myself older and an experienced designer, giving a talk at an unspecified conference. God willing, I'll be able to weave this exchange one day.

* * *

Open Forum Questioner: “I’ve got tons of ideas.”

Speaker:“So what are you doing with them?”

Open Forum Questioner: “Uh…”

Speaker:“You’re not sitting on them, are you? Just, sitting on them and hoping for them to hatch, are you?”

Open Forum Questioner: “Well…”

Speaker:“What is the kind of animal that only sits on something, waiting for it to hatch?”

- silence -

Speaker:“Chickens.”

“Well, we’re not chickens. We can’t just sit on our ideas for as long as we can, hoping they’ll hatch on their own.”

“We are people. Human beings. And human beings must act to make their ideas a reality. To make them real.”

“So, don’t be a chicken. Go out there, and act on your idea. Right now.”

Mar. 13th, 2009

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Viral video for the new Superman movie!

Feb. 27th, 2009

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PDI: PACQUIAO DROPS IN

Incredible day to be at the office today. Awesome timing. Simply awesome.

Manny Pacquiao himself was at the Inquirer building to receive his award of recognition for being the paper’s Filipino of the Year for 2008. I tried to squeeze in for a photo, sheepishly I admit, but in between the near-hundreds of people wanting a photo-op with him, I managed to sneak this sad but manageable co-opt photo on my crappy low-res camera phone.



Seriously, after the awarding and formalities people just surged in like a mob with their DSLRs, camera phones, and every other recording device imaginable. People were getting their shirts signed, my goodness. The man must have some kind of special training for endurance towards the type of fan demand fervently descending upon him in waves of raucous devotion.

I was really thankful to score this though:



I can’t tell you how crazy it was to line up at a slow-ass printer as it was cranking out dozens of these colored sixty-percent prints. People were grabbing these wherever they could get them to cue up for a signature. Heck, even Ma'am Lynette, the Art head, brought out a 2006 issue with Manny on it so she could have it signed.

Man was I so shy to approach for it - because he was already eating and chatting with the Inquirer big shots by the time I got the print out! But he still signed it, auto-click pentel pen at the ready. The guy's so simple, friendly and warm in person. At one comical point in the fan-photo-frenzy he helped out a guy figure out how to make his camera work.

But I'm proud to say I am the owner of one edition of Mandom (dear God I can't believe I actually strung that into a word) that I think no one else in the world could claim to have. Remember this?



After getting my first signature did I only realize that I had my external drive with me – and it contained the Pacquiao graphic art. So I had it printed...

And fan art comes full circle.



I almost sashayed off the third floor balcony thinking the euphoria would keep me afloat! When I first handed the print-out PDI president Sandy Prieto-Romualdez's sister thought I was handing it to him as a gift, with a dedication. After getting that signature, I realized with giddy urgency, why not?

So I quickly printed a second copy - waiting at the printer like a guy anxiously cueing at the washroom for a desperate leak - hastily scribbled out a dedication, Maraming salamat po, Mabuhay po kayo! Kamao ng Bansa!, and handed it to him.

He beamed at my gift art, and he shook my hand.

I exchanged signatures with Manny Pacquiao. With my signature on a copy of my art, now in Manny Pacquiao’s hands.

Glorious.

Feb. 17th, 2009

wtf

OH NOOOOOOOOOOOOOOOO

Zac Efron and The Rock to appear in JOHNNY QUEST MOVIE?!?!?

MY YOUTH IS DESTROYED.

Feb. 16th, 2009

HA! HA!

I want this book, and this movie isn't as good as that other movie with people with SUPERPOWERS



I seriously want to get this book.

According to io9, "Shambling towards Hiroshima [by James Morrow] is billed as a playful romp and a parable of the dawn of the nuclear era, one that blends, tongue-in-cheek, Godzilla, World War II Japan and genetic engineering gone wrong as the U.S. Navy attempts to breed large fire-breathing iguanas, hiring B-Movie actor Syms Thorley in an attempt to film some propaganda to try and force the Japanese to end the war."

So, I'm guessing the gist is that the US fakes an upcoming attack by a genetically-engineered radioactive giant lizard on Japan, to scare them into ending the war?

I'm sold on the concept. I love how it plays with the cinematic mythology of Japan's giant monsters, and the idea that it germinated from a spin concept cooked up by WII US propagandists to end the war. It sounds wacky and over-the-top, plus it's obviously crafted by a Godzilla fan. Should pick this up at Fully Booked when it comes out.

[Also...]

I saw Push today with my brother. It's about people with powers, who are engineered and tracked by the world's governments. The focus is mostly on Chris Evans' and Dakota Fannings' characters, who are a telekinetic (Mover) and precognitive (Watcher), respectively, and their quest to search for Camilla Bell (a Pusher, someone with the ability to implant fake memories into people's heads) before bad guy Djimon Hounsou can capture her for his own nefarious, government-sponsored purposes.

And while watching the movie, I had the feeling that I was watching an incomprehensibly slow art film. There's bits of shaky cinematography with dank lighting, which undermines the oft-kilter "superpowers" concept at the core of the film. The movie does a great job of showcasing its setting, Hong Kong, from its glitzy gentleman's clubs to its seedy tenement and port areas, but struggles too hard to make the characters compelling.

Fanning's, Hounsou's, and Evan's talents are wasted in this ramshackle attempt at popcorn entertainment. Fanning and Evan deliver their lines with all the weight and pathos of gravy, mucked-up and cholesterolized with trite dialogue and eye-rolling melodrama. I could see Fanning trying to trawl deep within her own talents to pull whatever fresh, slapping catch she could to the surface of the dank river of her character, but it just doesn't mix well within the sea of convoluted plot and crappy dialogue. Plus the attempt to debut Fanning as a teenage movie star, far from her doe-eyed child roles of yonder, doesn't do as well when she's a supposedly edgy, I'm-so-troubled-but-cool, smart-mouth tween skank. It just. Doesn't. Work.

The action scenes were really good, with bits of clever CG choreo involving guns, bullets, and telekinesis, but these are too few and far in between, and nothing too spectacular either. Between scenes you could feel the film just forcing through whatever improbable plot development just to get it moving to the next big powers-amok fight scene.

And the nomenclature of these characters and their power types are just hokey. They try to put too much casual grit into these names: Pusher (memory implanting), Mover (telekinetic), Shifter (object transformation), and et cetera. The filmmakers obviously tried to differentiate themselves from power labels we already know from stuff like X-men, and from obvious peg Heroes. It's too bad Jumper came out the previous year! Bet the filmmakers were just seething that they couldn't put in teleporters due to legal studio issues. Plus, it's just too funny to see Sniffs (people who can sniff out a person's history from objects they've used or touch) use their powers. Seeing a bald, menacing guy in a suit suddenly clutch and start deeply inhaling from strangers' towels, toothbrushes and other personal items is less then impressive. Instead, it gives off a creepy fetish vibe. And as for Bleeders (guys whose sonic screams are powerful enough to cause aneurysms), what's so threatening about an angry-looking Chinese guy yell at the top of his lungs? It's not scary, it's hilarious.

The movie drags on for about a good two-thirds of its run, but I'll contend there's a payoff in the plot towards the end. It doesn't exactly resolve all of its obvious plot holes, but there's enough of a sudden sharp curve in the plot to keep the end engaging enough, and to keep bored audiences engaged again in the movie. Suffice to say, the way these characters' abilities are depicted and re-used make the last parts of the movie entertaining to watch.

In all, Push is a flick whose ending is a lot better than the whole movie. Which isn't too good of a selling point, because it feels like the movie's manipulated you into suddenly making it like it despite abusing you for having spent your money on it. But, if you're willing to stick around for hours of cliche dialogue and improbable plot twists for an entertaining last thirty minutes, then it may be up your alley. Just don't expect to walk out of the theater recommending it to anyone else. Just to drive home the point: a single episode of Heroes is better than the whole movie. And that's saying a lot.

(Oh, and I will spoil just this little. Don't expect extravagant power displays from Chris Evans. That poster, of Push? It is a lie! Not once in the entire movie does Chris actually blow away a whole car, let alone an entire street of bad guys, as that poster implies!)

Feb. 4th, 2009

sick

TERMINATOR: NO SALVATION



For the benefit of those who haven't heard of it yet! What a prick.

Feb. 1st, 2009

HA! HA!

(no subject)

Delete 10 Facebook friends,
GET A FREE WHOPPER.

Jan. 27th, 2009

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Dreams in the Grotesque

This is the work of Jessica Fortner, a sculptor-illustrator-photographer whose work I stumbled upon while blog-surfing.








Creepy stuff, eh?

She calls her work "illustrations" - I don't know why, since they're photographs of surreal and dreamy sculptures that she makes from Super Sculpey. Perhaps she means "illustration" figuratively, in that her creations illustrate a certain concept, or idea that she wishes to convey?

Going back, I was immediately drawn to her work, which looks like ghoulishly inspired retrospects on creepy stop-motion films of old. But on the strange figurines she creates there burst a sort of warmth and whimsy. There's a sort of humanism reflected in the absurdly exaggerated faces, a childlike allure in the exaggerated contours. Maybe it's the color palettes she chooses, that contrast with how strange the work appears. They're certainly bright, but the clay sculptures look diseased, puckered, yet happy. Hers is a work that straddles borders between candy-surreal and patchwork-macabre.

You'll probably want to write up a corresponding Gaiman-esque prose paragraph to accompany each fantastically odd image you'll find on her blog-folio.

Check out her collection of artworks that include dinner table-buzzing winged pigs, puppy-eyed asylum inmates, and a lady doing a backstroke on a bed of phallic sea cucumbers.

Jan. 25th, 2009

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Snide remarks on Snyder posters

I have this fleeting suspicion that there’s a copy-paste format when it comes to marketing posters of Zack Snyder’s comic book movies.

Take 300. “Old school” swords-and-sandals movies, such as Gladiator and Troy, have traditionally used serif fonts to convey a classical tone, a pseudo-Hellenic feel that gave people the notion that buildings in ancient times were carved by letters using either Bembo or Minion.



When 300 came out in 2007, it pretty much set itself apart from other S&S’s by using bold sans serif fonts, bent at dynamic angles. Taglines were then placed across character’s faces as if screaming the very words.



The effect is jarring and aggressive, which admittedly matches the hypermasculine context of the film by making it look as if the posters themselves were screaming as loud as Gerard Butler’s angry Spartan king (WATCH! THIS! MOVIEEEEE!!!) My one nitpick is that why would the marketing team opt to use properly shaped letterforms when the 300 logo itself is a stylized blood spatter? Then again, if they had used that sort of type for the slogans, they may have ended up looking like posters for a slasher flick – which 300 was anyway, with all the hacking and goring and ugly, disfigured people-butchers in it.

Now we have the Watchmen posters.

Watchmen ArtworkWatchmen ArtworkWatchmen ArtworkWatchmen Artwork


Sharp Watchmen fans will immediately recognize the taglines as a quote spoken by each character in their respective poster. No doubt they were chosen by the marketing team (or by Snyder) because they were the simplest quotes in terms of delivering to the audience that character’s profile and psyche. Which echoes the technique they used in 300; they took a central character, and on their poster stitched them with the appropriate tagline.

Then there’s the flying-bold-letters fonts. Sure, in the case of Watchmen, it makes sense that they would use the same font if they wanted the marketing to visually echo the book. The Watchmen comic in itself is a feedback loop of recurring imagery, so marketing must have thought, “Well hey, since the title’s standing to the left in big yellow font, let’s do that too for the posters!” Fair enough.

But what I don’t like is that with the way the letters are rendered, they end up giving off a dynamic kind of feel. It’s like the taglines are speaking in that deep, superheroic tone typical of big-chinned dudes humbly stoic in delivering their catch phrases. And the point of Watchmen is that it’s not dynamic, it’s subtle. Everything about it, from the character’s actions, lines, and the book’s imagery, is a subtle stitching together of the big picture. The very core of the story is beneath the surface of the illustrations, understandable only after multiple reads. It would have suited the posters more if the words were just floating, full frontal towards the reader with no angles, without any embellishments or hooplah. That way, it would look more psychological and less big bang, which is what Watchmen is all about. If Snyder wasn’t out to make just another comic book movie (because Watchmen is not just another comic book), then he shouldn’t have resorted to typical comic book movie marketing styles.

And both the 300 and Watchmen posters look way too similar. The marketing team must have been the same as the ones on 300, if only to explain why it seems their posters were stuck in a style rut. The art direction is not the way to go if Snyder doesn’t want to be ghettoized as the “comic book director” – because his comic book movies, both already bogged with extreme-slow-to-extreme-fast cinematography, are being marketed by posters that reek of redundancy.

If this was intentional on the filmmakers' parts, then they've done a good job of keeping Snyder's shtick stuck on one format. Better that they break out of this rut instead of landing the next Snyder movie into a predictable design format.
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Shooting Star

Last night, atop the roof deck of [info]kayekatarn's house, I glanced up at the purplish night sky, and immediately spotted an orange streak diving and twirling across the clouds.

A shooting star.

I had never seen one before. And it filled me with an odd, cosmic sort of joy at seeing such a beautiful celestial body.

Then it puttered out and disappeared into the air.

... wondrous.



(But for a few seconds I had the paranoid consideration that it was a missile.

Which commenced a joking uproar on the roof deck on the economy and engineering a World War to divert the world's attention and jumpstart the war economy to start bringing in money.)

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